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Blue Gold
Mixed media installation, Phoenix Gallery, Exeter.
Digital media including visuals and sound
Plastic mineral water bottles, natural materials including: Devon
spring water, flowers, soil, clay, earth and mineral pigments, grains,
seeds, spices.
Blue
Gold refers to ancient rituals and festivals that celebrate our
interdependence with the natural world. It seeks to question the
effects of rapidly changing global weather conditions on culture.
Across cultures
water has been honoured and held sacred for millennia.
In Derbyshire during the summer months the ancient ritual art of
well dressing is still practised with floral shrines created to
honour the life giving water of the wells. In India, symbolic and
ephemeral floor decorations are create to mark festival days, the
changing seasons and to honour the gods. During the ten-day festival
in June to honour the river Ganges, pilgrims offer prayers and floral
tributes, take ritual baths, and carry home offerings of the holy
water to bless household shrines.
In 2006 Britain
is facing the worst drought in 100 years and the value of water
is forecast to outstrip gold on the world markets, earning it the
nickname ‘Blue Gold’.
Will a nation of sun worshippers have to start praying for rain?
Will the Ganges and the river Dart become part of future myth and
folklore, enshrined in archive footage, music and poetry?
Co-creation:
People were invited to interact with the work by writing their thoughts,
feelings, concerns, wishes, etc. relating to the issue of climate
change. 234 People added their messages and spent time reading others...they
co-created the work and added a ritual element.
Blue
Gold DVD
Duration: 8.39 minutes
River Lament Tamara Thomson
I Search for Summer Miriam Darlington, Moor Poets Volume
II
A Steady Stream of Words Karen Eberhardt- Shelton, Moor
Poets Volume II
Archive news footage 1989- 2006 With kind permission of BBC South
West
Press
BBC Southwest Spotlight news 30.06.06
“A
clever and thought provoking art work; makes you think and I like
the sense of audience participation also” Sukhi Bawa,
London
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